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Cover of Back Then
Science Fiction

Back Then

You can't cross the same river twice.

For readers of
Adults 30–55, particularly readers old enough to remember the late 1990s and 2000s firsthand: university before smartphones, MSN Messenger, Nokia phones, CDs and MP3s, early social media, cheap student nights, the pre-platform internet and the peculiar freedom of being genuinely unreachable. The core reader enjoys high-concept speculative fiction grounded in ordinary human life rather than technical or space-based science fiction. They want the compulsive what would I do? appeal of Replay, 11/22/63 and Dark Matter, but equally care about friendship, family, romance, regret, class, identity and the strange experience of becoming older than the people you once considered adults. Especially suited to readers of Ken Grimwood, Stephen King’s 11/22/63, Blake Crouch and David Nicholls, and audiences drawn to stories about second chances, alternate lives and roads not taken. There is a particularly strong appeal for older Millennials and younger Gen X, for whom 2003 is recent enough to remember vividly but distant enough to feel like another civilisation. The nostalgia should provide enormous pleasure without requiring the reader to have attended university—or Lancaster specifically. The emotional hook is universal: if you woke up young again tomorrow, knowing everything you know now, what would you actually do differently? Secondary audiences include younger adult readers fascinated by the pre-smartphone world and readers of relationship-driven contemporary fiction who would not ordinarily choose a novel marketed primarily as science fiction. The book should appeal across genders. Romance is important but not the sole engine; the central relationships include friends, lovers, parents and the protagonist’s changing relationship with his younger self. Not primarily for: hard-SF readers expecting detailed temporal mechanics, conventional time-machine adventure, pure nostalgia memoir, campus comedy, or uncomplicated wish-fulfilment. Positioning: accessible, funny, emotionally immersive, propulsive adult speculative fiction — a second-chance life story that gradually becomes a temporal mystery.
Themes

Second Chances vs Second Lives — If you could live your youth again, would you actually repair your old life, or inevitably create a different one?

Memory vs Reality — How much of what we regret is based on what actually happened, and how much on the simplified story we've spent twenty years telling ourselves?

If you got your life back, would you try to make it better—or eventually realise that making it different is the only way to truly live it again?

Knowing the Future vs Living in the Present — Does knowing what happens next help Daniel live better, or stop him from experiencing the life happening now?

Belonging, Class & Insecurity — How much of Daniel's sense that everyone else was cleverer, cooler and more deserving of belonging came from mistaking confidence, class, money and performance for superiority?

Parents, Damage & Reconciliation — Can Daniel build a relationship with the alcoholic father he lost without rewriting the harm his father caused—and can a second chance repair something when both people still have to change?

Written by

David M. Shaw

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